biography / bibliography
RADCLIFFE BAILEY
SELECTED BIBLIOGRAPHY
2011
“Critic’s Pick: Radcliffe Bailey, ‘Outer Spaceways’ at Jack Shainman Gallery” (exhibition review). Time Out New York, 5–11 May 2011: 68.
Feaster, Felicia. “Arts: Radcliffe Bailey––The High salutes a hometown star”. Atlanta Magazine. 1 July 2011. Web. 13 July 2011. <http://www.atlantamagazine.com/arts/story.aspx?ID=1452248>.
“Galleries–Chelsea: Radcliffe Bailey” (Jack Shainman Gallery exhibition review). The New Yorker, 23 May 2011: 16.
Haber, John. “5.16.11 – Space is the Place” (Jack Shainman Gallery exhibition review). Haber Arts. 16 May 2011. Web. 17 May 2011. <http://www.haberarts.com/2011/05/space-is-the-place/>.
Haines, Errin. “Radcliffe Bailey makes solo debut at The High” (exhibition review). Washington Examiner. 24 June 2011. Web. 30 June 2011. <http://washingtonexaminer.com/entertainment/2011/06/radcliffe-bailey-makes-solo-debut-high>.
Jackson, Candace. “Southern Past, Modern Present: The Atlanta home of an artist interweaves his work and personal history.” The Wall Street Journal, 8 July 2011: illustrated.
Pousner, Howard. “In the key of life” (High Museum of Art exhibition review). Access Atlanta. 25 June 2011. Web. 30 June 2011. <http://www.accessatlanta.com/atlanta-events/in-the-key-of-987938.html>.
Radcliffe Bailey: Memory as Medicine (exhibition catalogue). Texts by Carol Thompson with contributions by Rene Barilleaux, Manthia Diawara, Michael Rooks, and Ed Spriggs. Atlanta: High Museum of Art, 2011.
Sheets, Hilarie M. “In the Picture: Atlanta, Africa and the Past” (High Museum exhibition review). The New York Times, 3 July 2011: Arts & Leisure, illustrated.
2010
Afro Modern: Journeys through the Black Atlantic (exhibition catalogue). Texts by Petrine Archer, Roberto Conduru, Manthia Diawara and Edouard Glissant, Courtney J. Martin, Kobena Mercer, and Huey Copeland. Liverpool: Tate Liverpool, 2010.
Jones, Jonathan. “Afro-Modern at Tate Liverpool: Voyage of rediscovery” (exhibition review). The Guardian (UK), 28 January 2010.
Southern Journeys: African American Artists of the South (exhibition catalogue). Ocala: Appleton Museum, 2010.
2009
Encyclopedia of African America Artists (Artists of the American Mosaic). Westport: Greenwood Press, 2009.
Feaster, Felicia. “Soul Man.” The Atlantan, December 2009.
Machal, Richard. “A Wider View.” Charlotte Observer, 31 October 2009.
Tradition Redefined: The Larry and Brenda Thompson Collection of African America Art (exhibition catalogue). College Park: University of Maryland Press, 2009.
Washburn, Mark. “Celebration Will be Grand Today.” Charlotte Observer, 23 October 2009.
2008
Carlin, T.J. “Sweet Sweetback’s Badasssss Song.” Time Out New York, 10–16 January 2008: 72.
Cotter, Holland. “Making Secular Art Out of Religious Imagery.” The New York Times, 29 October 2008.
NeoHooDoo: Art for a Forgotten Faith (exhibition catalogue). Text by Franklin Sirmans, Arthur C. Danto, Greg Tate, Robert Farris Thompson, Jen Budney, Julia Herzberg. Houston: The Menil Collection, 2008.
Scene in America: A Contemporary Look at the Black Male Image (exhibition catalogue). Charlotte: Mint Museum of Art, 2008.
Whalen, Meg Freeman. “Making a Scene” (Mint Museum of Art exhibition review). Charlotte Magazine (July 2008): illustrated.
2007
Baker, R.C. “Best in Show.” The Village Voice, 2007.
The Color Line (exhibition catalogue). Text by N’Gone Fall. New York: Jack Shainman Gallery, 2007.
Cotter, Holland. “The Color Line.” The New York Times, 27 July 2007.
Finch, Charlie. “Weekday Update.” Artnet.com, 3 December 2007.
Taking Aim: Selections from the Elliot L. Perry Collection (exhibition catalogue). Memphis: Rhodes College Press, 2007.
2006
The Kansas City Star, 7 May 2006.
Parallel Economies (exhibition catalogue). Texts by: Franklin Sirmans, Gean Moreno and Odili Donald Odita. Atlanta: Weitz Contemporary, 2006.
2005
“The Human Touch: Selections From the RBC Dain Rauscher Art Collection”
2004
Common Ground: Discovering Community in 150 Years of Art, Selections from the Collection of Julia J. Norrell (exhibition catalogue). Texts by Jacquelyn Days Serwer, Paul Roth, Merry A. Foresta, and Julia J. Norrell.Washington, D.C.: Corcoran Gallery of Art, 2004.
Cotter, Holland. “Thinking with Blood.” The New York Times, 20 August 2004.
Images of America, African American Voices: Selections from the Collection of Mr. and Mrs. Darrell Walker (exhibition catalogue). Fayetteville: Walton Arts Center, 2004.
2003
Black President: The Art and Legacy of Fela Anikulapo Kuki (exhibition catalogue). New York: New Museum of Contemporary Art, 2003.
Cotter, Holland. “King of Music (and of All He Surveyed).” The New York Times, 18 July 2003.
Fleey, Peter. “Black President.” Frieze Magazine (October 2003).
Fox, Catherine. “Portraits of dignity, in many forms.” The Atlanta Journal-Constitution, 16 April 2003: M2.
Hair Stories (exhibition catalogue). Texts by Kim Curry-Evans and Dr. Neal A. Lester. Scottsdale: Museum of Contemporary Art, 2003.
Koirala, Snigdha. “Black President.” BOMB (Fall 2003).
Martin, Courtney J. "Black President: Art and Legacy of Fela Anikulapo-Kuti." Flash Art International 36, no. 232 (October 2003): 56–57.
Pollack, Barbara. “The Afrobeat Generation.” The Village Voice, 23–29 July 2003: 59.
8 + 1 Artists from Atlanta (exhibition catalogue). Texts by Theresa Leininger and Jerry Cullum. Cincinnati: Tangeman Fine Arts Gallery, 1993.
2002
“Bailey Painting Commissioned by Ulrich Museum.” Review (2002): 52.
Byrne, Chris. The Original Print: Understanding Technique in Contemporary Fine Printmaking. Madison: Guild Publishing, 2002.
Ibarra, Cathy. The Kansas City Star, 9 August 2002: 32, illustrated.
Patterson, Tom. “Quilting a Canvas.” Winston-Salem Journal, 23 June 2002: F1–F2.
“Scattered Artifacts.” The New York Times, NJ Section, 7 April 2002: 9.
2001
Atkins, Marcus. “Experience the ‘magic’ of Bailey and Powell at the Forum for Contemporary Art.” St. Louis American, 26 April–2 May 2001: C1–C4.
Colpitt, Frances. “Report From New Orleans; Southern Sensibilities.” Art in America (November 2001): 58–63.
Daniel, Jeff. “When Radcliffe Bailey talks (to himself), people listen.” St. Louis Post-Dispatch, 19–25 April 2001: 18–19.
Frye, Daniel J. African American Visual Artists: An Annotated Bibliography of Educational Resource Materials. Lanham: Scarecrow Press, 2001.
Hackman, Kate. “Radcliffe Bailey: Works on Paper.” The Kansas City Star, 7 September 2001: 24.
Jazz and Visual Improvisations (exhibition catalogue). Katonah: Katonah Museum of Art, 2001.
Marsh, Jan. “Bailey Continues to Mine the Depths of a Rich Heritage.” Review Magazine (October 2001).
Thorson, Alice. “Collage-style artist conjures past, familial ties.” The Kansas City Star, 28 September 2001: 25.
2000
“Fly it High, Fly it Low, Leave it Up, Make it Go.” Charleston City Paper, 31 May 2000.
Harvin, Stephanie. “Art Exhibit Explores Flag Issues.” Post & Courier, 4 June 2000.
Heartney, Eleanor. “Radcliffe Bailey at Jack Shainman.” Art in America (April 2000): 154.
“In the Shadow of the Flag.” Post & Courier, 1 June 2000.
In the Shadow of the Flag (exhibition catalogue). Charleston: Tippy Stern Fine Art, 2000.
Klein, Mason. “Radcliffe Bailey at Jack Shainman Gallery” (exhibition review). Artforum (February 2000): 121.
Radcliffe Bailey: The Magic City (exhibition catalogue). Texts by Shannon Fitzgerald, Manuel Jorda, David Moos, and Terrie Sultan. Birmingham: Birmingham Museum of Art, 2000.
Starland, Tom. “Editorial Commentary.” Carolina Arts, June 2000.
1999
Bandrowski, Katherine. “Featured Previews.” Flatiron 2000 5, no. 4 (Millennium Issue 1999): 79.
Cochran, Rebecca Dimling. “Cityscape Atlanta” (interview with Radcliffe Bailey). Flash Art (March/April 1999): 59–60.
Johnson, Ken. “Radcliffe Bailey.” The New York Times, 17 December 1999.
Locating the Spirit: Religion and Spirituality in African America Art (exhibition catalogue). Texts by Deborah Willis, Leslie King-Hammond, and Halima Taha. Washington, D.C.: Anacostia Museum and Center for African American History and Culture, 1999.
Sirmans, Franklin. “Radcliffe Bailey at David Beitzel Gallery” (exhibition review). Flash Art (Summer 1999): 137.
1999 Awards for Excellence in the Visual Arts. New York: The Johnnie L. Cochran, Jr. Art Fund Inc., 1999.
1998
Fox, Catherine. “A Bridge Connecting Past, Future.” Atlanta Journal and Constitution, 21 May 1998.
Reid, Calvin. “Radcliffe Bailey at David Beitzel” (exhibition review). Art in America (February 1998): 103.
1997
“As Time Goes By: History and Sentimentality.” Whitney Museum of American Art Members Magazine (Summer 1997).
Blaise, Oma. “Six Atlanta Artists: Where are they Now?” Atlanta Homes and Lifestyles (May/June 1997).
Brockington, Horace. “Radcliffe Bailey at David Beitzel Gallery.” The Critical State of Visual Art in New York, 1 June 1997.
Burns, Kephra. “Reframing Black Art.” Essence Magazine (July 1997): 106.
Ebony, David. “New York Top Ten.” Artnet Magazine (May/June 1997).
Fox, Catherine. “The Keeper of the Flame.” The Atlanta Journal Constitution, 30 May 1997.
Gregory, Deborah. “People Under 30: Radcliffe Bailey.” Essence Magazine (August 1997): 62.
Leonard, Pamela Blum. “Colors, Layering Show Bailey’s Growth.” The Atlanta Journal, 18 April 1997.
Locke, Donald. “School of Thought.” Creative Loafing, 10 May 1997.
Merkling, Frank. “The Aldrich Museum Rounds up the Best of NYC Gallery Scene.” The News Times, 23 October 1997.
O’Connell, Linda Matys. “As Time Goes By.” The Sunday Advocate, 15 June 1997.
Wasllik, Jeanne Marie. “Radcliffe Bailey, Recent Works.” New York Arts Magazine (June 1997): 22.
“Whitney Museum of American Art.” The New York Times, 18 July 1997.
“1996 in Review: Public Art.” Art in America Annual Guide (1997–1998).
1996
Britton, Crystal A. “Radcliffe Bailey: Blackness.” African American Art: The Long Struggle. New York: Smithmark Publishers, 1996.
Burning Issues: Contemporary African America Art (exhibition catalogue). Text by A. M. Weaver. Fort Lauderdale: Fort Lauderdale Museum of Art, 1996.
Cullum, Jerry. “City Focus: Atlanta.” Art News (April 1996).
Cullum, Jerry. “Radcliffe Bailey: In Nuh Watuh at Fay Gold.” Art Papers (January/February 1996): 50.
Merkling, Frank. “Art from the garden, in-your-face, on high.” The Danbury News Times, 30 May 1996.
No Doubt: African-American Art of the 90’s (exhibition catalogue). Ridgefield: Aldrich Museum of Contemporary Art, 1996.
Out of Bounds: New Work by Eight Southeast Artists (exhibition catalogue). Atlanta: Nexus Contemporar Art Center, 1996.
Powell, Kevin. “Radcliffe Bailey.” Vibe (1996): 115.
Scoble, Ilka. “Contemporizing the Accessible: Radcliffe Bailey.” Cover Magazine (January 1996): 41.
Smith, Roberta. “In Connecticut, the Old Meets the New.” The New York Times, 12 July 1996.
Willis, Deborah and Michael H. Cottman. The Family of Black America. New York: Crown, 1996.
Zimmer, William. Exhibition Review of No Doubt: African-American Art of the ‘90s at the Aldrich Museum of Contemporary Art. The New York Times, 28 July 1996.
1995
Aukeman, Anastasia. “Radcliffe Bailey: Railroad Spikes, Tintypes, and African Votives.” Art News (November 1995): 112.
Goldberg, Vicki. “In Houston, Rebuilding by Creating.” The New York Times, 16 July 1995: 26–27.
Home is Where… (exhibition catalogue). Greensboro: University of North Carolina Press, 1995.
Humphrey, Jacqueline. “Home can be haven or hell.” Greensboro News & Record, 22 September 1995.
Lewis, Joe. “Radcliffe Bailey.” Art in America (March 1995).
Melrod, George. “Rethinking History.” Art & Antiques (October 1995): 33.
Sturrock, Staci. “Radcliffe Bailey: Young artist makes own history.” Greenville News, 8 January 1995: 1F.
Tuck, Angela. “Radcliffe Bailey: Artworks honor the struggle.” The Atlanta Journal-Constitution, 31 December 1995.
York, Kristi. “Mixed-Media Artist: Radcliffe Bailey.” Edge Magazine, 13 January 1995.
1994
Cotter, Holland. “From the Studio” (Studio Museum in Harlem exhibition review). The New York Times, 9 December 1994.
Equal Rights & Justice: Reflections on Rights (exhibition catalogue). Atlanta: High Museum of Art, 1994.
Fox, Catherine. “Equal Rights & Justice, High Museum of Art.” The Atlanta Journal/Constitution, 5 June 1994.
The Hale Woodruff Memorial Exhibition: Curator’s Choice (exhibition catalogue). Text by Helen M. Shannon. New York: Studio Museum in Harlem, 1994.
Jinker-Lloyd, Amy. “Radcliffe Bailey at Fay Gold.” Art News (April 1994): 180.
Lewis, Joe. “Radcliffe Bailey at Fay Gold.” Art in America (April 1994).
Radcliffe Bailey: Places of Rebirth (exhibition catalogue). Texts by Lil Friedlaender, Kevin Sipp, and Ed Spriggs. Atlanta: TULA Foundation Gallery, 1993.
1993
“Artist Profile.” Vibe (September 1993): 46.
Cullum, Jerry. Nine from Atlanta (exhibition catalogue). Cincinnati: Ohio University, 1993.
1992
ARTCurrents II: Radcliffe Bailey (exhibition catalogue). Text by Mark Richard Leach. Charlotte: The Mint Museum of Art, 1992.
Cullum, Jerry. “Radcliffe Bailey: Places of Rebirth” (TULA Foundation Gallery exhibition review). Art Papers 16, no. 6 (November/December 1992): 44.
Cullum, Jerry. “Nexus Biennale 1992” (exhibition review). Art Papers 16, no. 4 (July/August 1992).
Fox, Catherine. “Biennale Review.” The Atlanta Journal/The Atlanta Constitution, 17 April 1992.
Fox, Catherine. “A Contemporary Voyage of Discovery.” The Atlanta Journal/The Atlanta Constitution, 7 February 1992.
Fox, Catherine. “Looking Deep into the Soul of Black Heritage.” The Atlanta Journal/The Atlanta Constitution, 19 June 1992.
Friedlander, Lil, Kevin Sipp and Ed Sprigg, “Places of Rebirth.” TULA Foundation Gallery, June 1992.
White, Clarence D. “Black Men: Image/Reality.” Art Papers (January/February 1992).
1991
Cullum, Jerry. “Black Nativity: Spirituality in Contemporary African-American Art.” The Atlanta
Journal/The Atlanta Constitution, 23 December 1991.
Cullum, Jerry. “Notable Shows.” The Atlanta Journal/The Atlanta Constitution, 12 July 1991.
The Eleventh Annual Atlanta Life National Art Competition and Exhibition (exhibition catalogue). Atlanta: Atlanta Life Insurance Co., 1991.
Fox, Catherine. “Opposing Images have Discerning Impact.” The Atlanta Journal/The Atlanta Constitution, 10 September 1991.
Sheely, Glenn. “Wounded Young Artist has a lot of Work to do.” The Atlanta Journal/The Atlanta Constitution, 3 October 1991.