Considered one of the most influential contemporary American artists, Carrie Mae Weems has investigated family relationships, cultural identity, sexism, class, political systems and the consequences of power. Determined as ever to enter the picture— both literally and metaphorically—Weems has sustained an on-going dialogue within contemporary discourse for over thirty years. During this time Carrie Mae Weems has developed a complex body of art employing photographs, text, fabric, audio, digital images, installation, and video.
In a recent review of her retrospective in the New York Times, Holland Cotter wrote, “Ms. Weems is what she has always been, a superb image maker and a moral force, focused and irrepressible.”
Weems has participated in numerous solo and group exhibitions at major national and international museums including The Metropolitan Museum of Art, The Frist Center for Visual Art, Solomon R. Guggenheim Museum in New York, Prospect.3 New Orleans, and the Centro Andaluz de Arte Contemporáneo in Seville, Spain.
Weems has received numerous awards, grants and fellowships including the prestigious Prix de Roma, The National Endowment of the Arts, the Alpert, the Anonymous was a Woman and the Tiffany Awards. In 2012, Weems was presented with one of the first US Department of State’s Medals of Arts in recognition for her commitment to the State Department’s Art in Embassies program.
In 2013, Weems received the MacArthur “Genius” grant as well as the Congressional Black Caucus Foundation’s Lifetime Achievement Award. In 2014, she received the BET Honors Visual Artist award, the Lucie Award for Fine Art photography and was one of 4 artists honored at the Guggenheim’s International Gala.
She is represented in public and private collections around the world, including the Metropolitan Museum of Art, NY; The Museum of Fine Arts, Houston; the Museum of Modern Art, NY and Museum of Contemporary Art, Los Angeles.
Weems has been represented by Jack Shainman Gallery since 2008. Her exhibitions with the gallery include Slow Fade to Black (2010), Signs Taken for Wonders (2009) curated by Isolde Brielmaier, Carrie Mae Weems: A Survey (2008) and The Whole World is Rotten (2005).